Our rough cut
(Please click to enlarge) Our schedule for the test shoot week |
For the test shoot week, I felt that we were far more focused and organised than we were the week before with rehearsals, and we stuck stringently to an agreed schedule (our group are Group 2 - highlighted in green). Although the length of time between the Monday and Thursday sessions could have caused a problem, we ensured that we still continued to work on any pre-production preparation for the shoot including prop and set design, such as posters & wallpaper.
We had to ensure that a plethora of props were completed in time for the test shoot - this included myself & Georgina cutting and sticking the numerous dwarfs and posters. |
We were able to direct our efforts into other areas when not filming, such as set design and especially the rough cut |
(Please click to enlarge) left Some of our initial feedback right Phoebe also collected some target audience responses |
Whilst in the studio, we filmed both the shots which we had planned and noted on our shootboard, as well as extra experimental shots. We were then able to assess their impact when editing, and decide if they were suitable or not. During editing we also noted as a group that we needed much more movement and shot variety, as the abundance of static shots in our rough cut meant that it was a visually boring, lacklustre music video.
Please see below for a list of improvements which we were able to draw up following our test shoot and subsequent rough cut:
(Please click to enlarge) A list which I constructed going forward detailing improvements and how we can go about achieving them. |
Hopefully we will be able to use these going forward as a reference point when completing our final shoot and edit. Despite our group being unable to receive feedback for the second part of the rough cut, in hindsight we did still gain a really useful insight into how our project has been progressing and the target audience's reaction to it.
After the test shoot... |
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